How to Hire a UGC Creator
What to look for in a creator, what to send them, how pricing and revisions usually work, and the questions worth asking before you commit.
The sections a useful brief actually needs, what to specify precisely, and what to leave to the creator — plus the omissions that cause most reshoots.
Published
Most disappointing UGC traces back to the brief. Either it was too vague to aim at, or so prescriptive that it produced a stiff recital of your marketing copy.
A good brief is short. It tells the creator what the video must accomplish and what it must not do, then leaves the rest alone.
Two jobs, and it is worth being clear about both.
Alignment. You and the creator should picture roughly the same finished video.
Boundaries. The claims that cannot be made, the things that must not appear, the format requirements that make the file usable.
Everything else — phrasing, pacing, personality — is what you hired them for. Scripting those removes the quality you were buying.
What it is, what it does, who it is for. Assume no prior knowledge. Link to the listing or product page.
If a viewer remembers a single fact, what is it? One thing, not five. Briefs listing eight key messages produce videos that land none of them.
Paid ads, product page, listing, organic social. This changes length, pacing, opening, and whether sound can be relied on. It is the detail most often missing.
Orientation, rough length, resolution, file format, whether you need clean footage without burned-in text. Be specific here — this is where precision helps rather than hinders.
Concrete actions, not adjectives. “Show it going into a dishwasher and coming out” beats “convey durability.”
The claims boundary. Health claims, comparative claims, anything you cannot substantiate, competitor names. Creators will not guess your legal exposure, and this section protects both of you.
Delivery date, revision rounds, whether the product comes back, how files get sent.
Where you may run it and for how long. Agreed before filming — see usage rights explained.
Some things genuinely need to be exact, because getting them wrong makes the file unusable:
And some things should not be scripted:
The exact wording. Give the message; let them phrase it. Word-for-word scripts are audible.
Their setting. You hired them partly for where they film. Redecorating their kitchen defeats the purpose.
Every shot. A shot list of twenty items produces a checklist, not a video. Three to five priorities is plenty.
Their opinion. If you commissioned an honest take, you have to let it be honest.
PRODUCT
What it is, what it does, who it is for. Link.
THE ONE THING
The single message this video must land.
WHERE IT RUNS
Placement, and whether sound can be relied on.
FORMAT
Orientation · length · file type · clean footage needed? yes/no
SHOW
- Three to five specific things to demonstrate
AVOID
- Claims we cannot make
- Words or comparisons to steer clear of
PRACTICAL
Delivery date · revision rounds · product returned? · how to send files
USAGE RIGHTS
Placements and duration.
Short enough to read, complete enough to work from.
No stated placement. The creator picks a format, it is the wrong shape, everyone is annoyed.
Assuming sound. Most feed video is watched muted. If the point only works with audio, it does not work.
Forgetting the scale shot. Almost always wanted, rarely asked for.
Only one hook. Ask for a few opening variations on the same demo — cheap during the session, expensive afterwards.
Rights raised after delivery. The single most avoidable problem in the whole process.
Read it back and ask: could someone who has never seen this product produce the right video from this alone? If they would have to guess at the placement, the format, or the message, add those. If they would have to guess at your tone of voice — that is fine. That is theirs.
If you are still choosing formats, 15 UGC video ideas has options you can name directly in the brief. For the hiring process itself, see how to hire a UGC creator.
What to look for in a creator, what to send them, how pricing and revisions usually work, and the questions worth asking before you commit.
Concrete video formats you can request or produce, what each one is good for, and the kind of product it suits — with notes on where each tends to run best.
What you are actually buying when you licence creator content — placements, duration, exclusivity and whitelisting — and how to write it down without a legal department.